List of compositions by Franz Liszt (S.1–S.350)
This is a thematic list of original works by Franz Liszt, based on the catalogue of Humphrey Searle – The Music of Liszt, 1966; and on the additions by Sharon Winklhofer and Leslie Howard. The list up to S.350 covers the fully original works; the paraphrases and arrangements are covered in numbers S.351–999.
Original works
Opera
Sacred choral works
- S.2, The Legend of St. Elisabeth (1857–62)
- S.3, Christus (1855–67)
- S.4, Cantico del sol di Francesco d'Assisi [first/second version] (1862, 1880–81)
- S.5, Die heilige Cäcilia (1874)
- S.6, Die Glocken des Strassburger Münsters (Longfellow) (1874)
- S.7, Cantantibus organis (1879)
- S.8, Missa quattuor vocum ad aequales concinente organo [first/second version] (1848, 1869)
- S.9, Missa solennis zur Einweihung der Basilika in Gran (Gran Mass) [first/second version] (1855, 1857–58)
- S.10, Missa choralis, organo concinente (1865)
- S.11, Hungarian Coronation Mass (1866–67)
- S.12, Requiem (1867–68)
- S.13, Psalm 13 (Herr, wie lange ?) [first/second/third version] (1855, 1858, 1862)
- S.14, Psalm 18 (Coeli enarrant) (1860)
- S.15, Psalm 23 (Mein Gott, der ist mein Hirt) [first version: chorus, soloist & orchestra] [second version: chorus, soloist & violin, piano, harp, organ] (1859, 1862)
- S.15a, Psalm 116 (Laudate Dominum) (1869)
- S.16, Psalm 129 (De profundis) (1880–83)
- S.17, Psalm 137 (By the Rivers of Babylon) [first/second version] (1859–62)
- S.18, Five choruses with French texts [5 choruses] (1840–49)
- S.19, Hymne de l'enfant à son réveil (Lamartine) [first/second version] (1847, 1862)
- S.20, Ave Maria I [first/second version] (1846, 1852)
- S.21, Pater noster II [first/second version] (1846, 1848)
- S.22, Pater noster IV (1850)
- S.23, Domine salvum fac regem (1853)
- S.24, Te Deum II (1853?)
- S.25, Beati pauperes spiritu (Die Seligkeiten) (1853)
- S.26, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (1858)
- S.27, Te Deum I (1867)
- S.28, An den heiligen Franziskus von Paula (b. 1860) libretto by Martha von Sabinin
- S.29, Pater noster I (b. 1860)
- S.30, Responsorien und Antiphonen [5 sets] (1860)
- S.31, Christus ist geboren I [first/second version] (1863?)
- S.32, Christus ist geboren II [first/second version] (1863?)
- S.33, Slavimo Slavno Slaveni! [first/second version] (1863, 1866)
- S.34, Ave maris stella [first/second version] (1865–66, 1868)
- S.35, Crux! (Guichon de Grandpont) (1865)
- S.36, Dall' alma Roma (1866)
- S.37, Mihi autem adhaerere (from Psalm 73) (1868)
- S.38, Ave Maria II (1869)
- S.39, Inno a Maria Vergine (1869)
- S.40, O salutaris hostia I (1869?)
- S.41, Pater noster III [first/second version] (1869)
- S.42, Tantum ergo [first/second version] (1869)
- S.43, O salutaris hostia II (1870?)
- S.44, Ave verum corpus (1871)
- S.45, Libera me (1871)
- S.46, Anima Christi sanctifica me [first/second version] (1874, ca. 1874)
- S.47, St Christopher. Legend (1881)
- S.48, Der Herr bewahret die Seelen seiner Heiligen (1875)
- S.49, Weihnachtslied (O heilige Nacht) (a. 1876)
- S.50, 12 Alte deutsche geistliche Weisen (Chorales) [12 chorals] (ca. 1878–79)
- S.51, Gott sei uns gnädig und barmherzig (1878)
- S.52, Septem Sacramenta. Responsoria com organo vel harmonio concinente (1878)
- S.53, Via Crucis (1878–79)
- S.54, O Roma nobilis (1879)
- S.55, Ossa arida (1879)
- S.56, Rosario [4 chorals] (1879)
- S.57, In domum Domino imibus (1884?)
- S.58, O sacrum convivium (1884?)
- S.59, Pro Papa (ca. 1880)
- S.60, Zur Trauung. Geistliche Vermählungsmusik (Ave Maria III) (1883)
- S.61, Nun danket alle Gott (1883)
- S.62, Mariengarten (b. 1884)
- S.63, Qui seminant in lacrimis (1884)
- S.64, Pax vobiscum! (1885)
- S.65, Qui Mariam absolvisti (1885)
- S.66, Salve Regina (1885)
Secular choral works
- S.67, Beethoven Cantata No. 1: Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (1845)
- S.68, Beethoven Cantata No. 2: Zur Säkularfeier Beethovens (1869–70)
- S.69, Chöre zu Herders Entfesseltem Prometheus (1850)
- S.70, An die Künstler (Schiller) [first/second/third verion] (1853, 1853, 1856)
- S.71, Gaudeamus igitur. Humoreske (1869)
- S.72, Vierstimmige Männergesänge [4 chorals] (for Mozart-Stiftung) (1841)
- S.73, Es war einmal ein König (1845)
- S.74, Das deutsche Vaterland (1839)
- S.75, Über allen Gipfeln ist Ruh (Goethe) [first/second version] (1842, 1849)
- S.76, Das düstre Meer umrauscht mich (1842)
- S.77, Die lustige Legion (A. Buchheim) (1846)
- S.78, Trinkspruch (1843)
- S.79, Titan (Schobert) (1842–47)
- S.80, Les quatre éléments (Autran) (1845)
- S.81, Le forgeron (de Lamennais) (1845)
- S.82, Arbeiterchor (de Lamennais?) (1848)
- S.83, Ungaria-Kantate (Hungaria 1848 Cantata) (1848)
- S.84, Licht, mehr Licht (1849)
- S.85, Chorus of Angels from Goethe's Faust (1849)
- S.86, Festchor zur Enthüllung des Herder-Dankmals in Weimar (A. Schöll) (1850)
- S.87, Weimars Volkslied (Cornelius) [6 versions] (1857)
- S.88, Morgenlied (Hoffmann von Fallersleben) (1859)
- S.89, Mit klingendem Spiel (1859–62 ?)
- S.90, Für Männergesang [12 chorals] (1842–60)
- S.91, Das Lied der Begeisterung. A lelkesedes dala (1871)
- S.92, Carl August weilt mit uns. Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar am 3 September 1875 (1875)
- S.93, Ungarisches Königslied. Magyar Király-dal (Ábrányi) [6 version] (1883)
- S.94, Gruss (1885?)
Orchestral works
Symphonic poems
- S.95, Poème symphonique No. 1, Ce qu'on entend sur la montagne (Berg Symphonie) [first/second/third version] (1848–49, 1850, 1854)
- S.96, Poème symphonique No. 2, Tasso, Lamento e Trionfo [first/second/third version] (1849, 1850–51, 1854)
- S.97, Poème symphonique No. 3, Les Préludes (1848)
- S.98, Poème symphonique No. 4, Orpheus (1853–54)
- S.99, Poème symphonique No. 5, Prometheus [first/second version] (1850, 1855)
- S.100, Poème symphonique No. 6, Mazeppa [first/second version] (1851, b. 1854)
- S.101, Poème symphonique No. 7, Festklänge [revisions added to 1863 pub] (1853)
- S.102, Poème symphonique No. 8, Héroïde funèbre [first/second version] (1849–50, 1854)
- S.103, Poème symphonique No. 9, Hungaria (1854)
- S.104, Poème symphonique No. 10, Hamlet (1858)
- S.105, Poème symphonique No. 11, Hunnenschlacht (1856–57)
- S.106, Poème symphonique No. 12, Die Ideale (1857)
- S.107, Poème symphonique No. 13, Von der Wiege bis zum Grabe (From the Cradle to the Grave) (1881–82)
Other orchestral works
- S.108, Eine Faust-Symphonie [first/second version] (1854, 1861)
- S.109, Eine Symphonie zu Dante's Divina Commedia (1855–56)
- S.110, Deux épisodes d'apres le Faust de Lenau [2 pieces] (1859–61)
- S.111, Zweite Mephisto Waltz (1881)
- S.112, Trois Odes Funèbres [3 pieces] (1860–66)
- S.113, Salve Polonia (1863)
- S.114, Künstlerfestzug zur Schillerfeier (1857)
- S.115, Festmarsch zur Goethejubiläumsfeier [first/second version] (1849, 1857)
- S.116, Festmarsch nach Motiven von E.H.z.S.-C.-G. (1857)
- S.117, Rákóczy March (1865)
- S.118, Ungarischer Marsch zur Krönungsfeier in Ofen-Pest (am 8 Juni 1867) (1870)
- S.119, Ungarischer Sturmmarsch (1875)
Piano and orchestra
- S.120, Grande Fantaisie Symphonique on themes from Berlioz Lélio (1834)
- S.121, Malédiction (with string orchestra) (1833)
- S.122, Fantasie über Beethovens Ruinen von Athen [first/second version] (1837?, 1849)
- S.123, Fantasie über ungarische Volksmelodien (1852)
- S.124, Piano Concerto No. 1 in E flat [first/second version] (1849, 1856)
- S.125, Piano Concerto No. 2 in A major [first/second version] (1839, 1849)
- S.125a, Piano Concerto No. 3 in E flat (1836–39)
- S.126, Totentanz. Paraphrase on Dies Irae [Feruccio Busoni's 'De Profundis'/final version] (1849, 1859)
- S.126a, Piano Concerto "In the Hungarian Style" [probably by Sophie Menter] (1885)
Chamber music
- S.126b, Zwei Waltzer [2 pieces] (1832)
- S.127, Duo (Sonata) – Sur des thèmes polonais (1832–35 ?)
- S.128, Grand duo concertant sur la romance de M.Lafont Le Marin [first/second version] (ca. 1835–37, 1849)
- S.129, Epithalam zu Eduard. Reményis Vermählungsfeier (1872)
- S.130, Élégie No. 1 [first/second/third version] (1874)
- S.131, Élégie No. 2 (1877)
- S.132, Romance oubliée (1880)
- S.133, Die Wiege (1881?)
- S.134, La lugubre gondola [first/second version] (1883?, 1885?)
- S.135, Am Grabe Richard Wagners (1883)
Piano solo
Studies
- S.136, Étude en douze exercices dans tous les tons majeurs et mineurs [first version, 12 pieces] (1826)
- S.137, Douze grandes études [second version, 12 pieces] (1837)
- S.138, Mazeppa [intermediate version of S137/4] (1840)
- S.139, Douze études d'exécution transcendante [final version, 12 pieces] (1852); Carl Czerny gewidmet.
- S.140, Études d'exécution transcendante d'après Paganini [first version, 6 pieces] (1838)
- S.141, Grandes études de Paganini [second version, 6 pieces] (1851)
- S.142, Morceau de salon, Étude de perfectionnement [Ab Irato, first version] (1840)
- S.143, Ab Irato, Étude de perfectionnement [second version] (1852)
- S.144, Trois études de concert [3 pieces] (1848?)
- Il lamento
- La leggierezza
- Un sospiro
- S.145, Zwei Konzertetüden [2 pieces] (1862–63)
- Waldesrauschen
- Gnomenreigen
- S.146, Technische Studien [68 studies] (ca. 1868–80)
Various original works
- S.147, Variation on a Waltz by Diabelli (1822)
- S.148, Huit variations (1824?)
- S.149, Sept variations brillantes sur un thème de G. Rossini (1824?)
- S.150, Impromptu brilliant sur des thèmes de Rossini et Spontini (1824)
- S.151, Allegro di bravura (1824)
- S.152, Rondo di bravura (1824)
- S.152a, Klavierstück (?)
- S.153, Scherzo in G minor (1827)
- S.153a, Marche funèbre (1827)
- S.153b, Grand solo caractèristique d'apropos une chansonette de Panseron [private collection, score inaccessible] (1830–32) [1]
- S.154, Harmonies poétiques et religieuses [Pensée des morts, first version] (1833, 1835)
- S.155, Apparitions [3 pieces] (1834)
- S.156, Album d'un voyageur [3 sets; 7, 9, 3 pieces] (1835–38)
- S.156a, Trois morceaux suisses [3 pieces] (1835–36)
- S.157, Fantaisie romantique sur deux mélodies suisses (1836)
- S.157a, Sposalizio (1838–39)
- S.157b, Il penseroso [first version] (1839)
- S.157c, Canzonetta del Salvator Rosa [first version] (1849)
- S.158, Tre sonetti del Petrarca [3 pieces, first versions of S161/4-6] (1844–45)
- S.158a, Paralipomènes à la Divina Commedia [Dante Sonata original 2 movement version] (1844–45)
- S.158b, Prologomènes à la Divina Commedia [Dante Sonata second version] (1844–45)
- S.158c, Adagio in C major (Dante Sonata albumleaf) (1844–45)
- S.159, Venezia e Napoli [first version, 4 pieces] (1840?)
- S.160, Années de pèlerinage. Première année; Suisse [9 pieces] (1848–55)
- S.161, Années de pèlerinage. Deuxième année; Italie [7 pieces] (1839–49)
- S.162, Venezia e Napoli. Supplément aux Années de pèlerinage 2de volume [3 pieces] (1860)
- S.162a, Den Schutz-Engeln (Angelus! Prière à l'ange gardien) [4 drafts] (1877–82)
- S.162b, Den Cypressen der Villa d'Este – Thrénodie II [first draft] (1882)
- S.162c, Sunt lacrymae rerum [first version] (1872)
- S.162d, Sunt lacrymae rerum [intermediate version] (1877)
- S.162e, En mémoire de Maximilian I [Marche funèbre first version] (1867)
- S.162f, Postludium – Nachspiel – Sursum corda! [first version] (1877)
- S.163, Années de pèlerinage. Troisième année [7 pieces] (1867–77)
- S.163a, Andantino pour Emile et Charlotte Loudon (1828) [2]
- S.163a/1, Album Leaf in F sharp minor (1828)
- S.163b, Album-Leaf (Ah vous dirai-je, maman) (1833)
- S.163c, Album-Leaf in C minor (Pressburg) (1839)
- S.163d, Album-Leaf in E major (Leipzig) (1840)
- S.164, Feuille d'album No. 1 (1840)
- S.164a, Album Leaf in E major (Vienna) (1840)
- S.164b, Album Leaf in E flat (Leipzig) (1840)
- S.164c, Album-Leaf: Exeter Preludio (1841)
- S.164d, Album-Leaf in E major (Detmold) (1840)
- S.164e, Album-Leaf: Magyar (1841)
- S.164f, Album-Leaf in A minor (Rákóczi-Marsch) (1841)
- S.164g, Album-Leaf: Berlin Preludio (1842)
- S.165, Feuille d'album (in A flat) (1841)
- S.166, Albumblatt in waltz form (1841)
- S.166a, Album Leaf in E major (1843)
- S.166b, Album-Leaf in A flat (Portugal) (1844)
- S.166c, Album-Leaf in A flat (1844)
- S.166d, Album-Leaf: Lyon prélude (1844)
- S.166e, Album-Leaf: Prélude omnitonique (1844)
- S.166f, Album-Leaf: Braunschweig preludio (1844)
- S.166g, Album-Leaf: Serenade (1840–49)
- S.166h, Album-Leaf: Andante religioso (1846)
- S.166k, Album Leaf in A major: Friska (ca. 1846–49)
- S.166m-n, Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (1847)
- S.167, Feuille d'album No. 2 [Die Zelle in Nonnenwerth, third version] (1843)
- S.167a, Ruhig [catalogue error; see Strauss/Tausig introduction and coda]
- S.167b, Miniatur Lieder [score not accessible at present] (?)
- S.167c, Album-Leaf (from the Agnus Dei of the Missa Solennis, S9) (1860–69)
- S.167d, Album-Leaf (from the symphonic poem Orpheus, S98) (1860)
- S.167e, Album-Leaf (from the symphonic poem Die Ideale, S106) (1861)
- S.167f, Album Leaf in G major (ca. 1860)
- S.168, Elégie sur des motifs du Prince Louis Ferdinand de Prusse [first/second version] (1842, 1851)
- S.168a, Andante amoroso (1847?)
- S.169, Romance (Ô pourquoi donc) (1848)
- S.170, Ballade No. 1 in D flat (Le chant du croisé) (1845–48)
- S.170a, Ballade No. 2 [first draft] (1853)
- S.171, Ballade No. 2 in B minor (1853)
- S.171a, Madrigal (Consolations) [first series, 6 pieces] (1844)
- S.171b, Album Leaf or Consolation No. 1 (1870–79)
- S.171c, Prière de l'enfant à son reveil [first version] (1840)
- S.171d, Préludes et harmonies poétiques et religie (1845)
- S.171e, Litanies de Marie [first version] (1846–47)
- S.172, Consolations (Six penseés poétiques) (1849–50)
- S.172a, Harmonies poétiques et religieuses [1847 cycle] (1847)
- S.172a/3&4, Hymne du matin, Hymne de la nuit [formerly S173a] (1847)
- S.173, Harmonies poétiques et religieuses [second version] (1845–52)
- S.174, Berceuse [first/second version] (1854, 1862)
- S.175, Deux légendes [2 pieces] (1862–63)
- St. François d'Assise. La prédication aux oiseaux (Preaching to the Birds)
- St. François de Paule marchant sur les flots (Walking on the Waves)
- S.175a, Grand solo de concert [Grosses Konzertsolo, first version] (1850)
- S.176, Grosses Konzertsolo [second version] (1849–50 ?)
- S.177, Scherzo and March (1851)
- S.178, Piano Sonata in B minor (1852–53)
- S.179, Prelude after a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1854)
- S.180, Variations on a theme from Weinen, Klagen, Sorgen, Zagen by J. S. Bach (1862)
- S.181, Sarabande and Chaconne from Handel's opera Almira (1881)
- S.182, Ave Maria – Die Glocken von Rom (1862)
- S.183, Alleluia et Ave Maria [2 pieces] (1862)
- S.184, Urbi et orbi. Bénédiction papale (1864)
- S.185, Vexilla regis prodeunt (1864)
- S.185a, Weihnachtsbaum [first version, 12 pieces] (1876)
- S.186, Weihnachtsbaum [second version, 12 pieces] (1875–76)
- S.187, Sancta Dorothea (1877)
- S.187a, Resignazione [first/second version] (1877)
- S.188, In festo transfigurationis Domini nostri Jesu Christi (1880)
- S.189, Klavierstück No. 1 (1866)
- S.189a, Klavierstück No. 2 (1845)
- S.189b, Klavierstück (?)
- S.190, Un portrait en musique de la Marquise de Blocqueville (1868)
- S.191, Impromptu (1872)
- S.192, Fünf Klavierstücke (for Baroness von Meyendorff) [5 pieces] (1865–79)
- S.193, Klavierstuck (in F sharp major) (a. 1860)
- S.194, Mosonyis Grabgeleit (Mosonyi gyázmenete) (1870)
- S.195, Dem andenken Petofis (Petofi Szellemenek) (1877)
- S.195a, Schlummerlied im Grabe [Elegie No 1, first version] (1874)
- S.196, Élégie No. 1 (1874)
- S.196a, Entwurf der Ramann-Elegie [Elegie No 2, first draft] (1877)
- S.197, Élégie No. 2 (1877)
- S.197a, Toccata (1879–81)
- S.197b, National Hymne – Kaiser Wilhelm! (1876)
- S.198, Wiegenlied (Chant du herceau) (1880)
- S.199, Nuages gris (Trübe Wolken) (1881)
- S.199a, La lugubre gondola (Der Trauergondol) [original Vienna draft, 1882; in 4/4 time; pub. 2002)
- S.200/1, La lugubre gondola I (final version, after Wagner's death, but MS undated; now in 6/8 time; pub. 1927 – when the numbers I and II were added)
- S.200/2, La lugubre gondola II (1883 revision of Vienna draft; still in 4/4 time; 1st pub. version (as simply La lugubre gondola), 1885)
- S.201, R. W. – Venezia (1883)
- S.202, Am Grabe Richard Wagners (1883)
- S.203, Schlaflos, Frage und Antwort (Nocturne after a poem by Toni Raab) (1883)
- S.204, Receuillement (Bellini in Memoriam) (1877)
- S.205, Historische ungarische Bildnisse (Magyar arcképek) [original version, 7 pieces] (1885)
- S.205a, Historische ungarische Bildnisse [revised order and conclusion, 7 pieces] (1885)
- S.206, Trauervorspiel und Trauermarsch (1885)
- S.207, En rêve. Nocturne (1885)
- S.207a, Prélude à la polka de Borodine (and Borodin's Polka) (1880)
- S.208, Unstern: sinistre, disastro (1880–86)
Works in dance form
- S.208a, Waltz (in A major) (b. 1825)
- S.209, Grande valse di bravura [first version of S214/1] (1835)
- S.209a, Waltz (in E flat) (1840)
- S.210, Valse mélancolique [first version of S214/2] (1839)
- S.210a, Valse mélancolique [intermediate version] (1840)
- S.210b, Valse (in A major) (1830–39)
- S.211, Ländler (in A flat major) (1843)
- S.211a, Ländler (in D major) (1879)
- S.212, Petite valse favorite [first/second version] (1842, 1843)
- S.212b, Mariotte. Valse pour Marie (1840)
- S.213, Valse-impromptu (1850?)
- S.213a, Valse-impromptu [with later additions] (1880)
- S.214, Trois caprice-valses [3 pieces] [second versions of S209, S210, S401] (1850?)
- S.214a, Carousel de Madame Pelet-Narbone (ca. 1875–81)
- S.215, Valses oubliées [4 pieces] (1881–84)
- S.215a, Dritter Mephisto-Walzer (Mephisto Waltz No. 3) [first draft] (1883)
- S.216, Dritter Mephisto-Walzer (Mephisto Waltz No. 3) (1883)
- S.216a, Bagatelle sans tonalité (1885)
- S.216b, Vierter Mephisto-Walzer (Mephisto Waltz No. 4) [first version] (1885)
- S.217, Mephisto Polka [first/second version] (1883)
- S.218, Galop (in A minor) (1841?)
- S.219, Grand galop chromatique [original version] (1838)
- S.219bis, Grand galop chromatique [simplified version] (1838)
- S.220, Galop de Bal (1840?)
- S.221, Mazurka brillante (1850)
- S.221a, Mazurka in F minor [Not by Liszt?] (?)
- S.222, [catalogue error; same as S212]
- S.223, Deux Polonaises [2 pieces] (1851)
- S.224, Csárdás macabre (1881–82)
- S.225, Two Csárdás [2 pieces] (1884)
- S.226, Festvorspiel (1856)
- S.226a, Marche funèbre (1827)
- S.227, Goethe Festmarsch [first version] (1849)
- S.228, Huldigungsmarsch [first/second version] (1853)
- S.229, Vom Fels zum Meer! – Deutscher Siegesmarsch (1853–56)
- S.230, Bülow-Marsch (1883)
- S.230a, Festpolonaise (1876)
- S.231, Heroischer Marsch in ungarischem Stil (1840)
- S.232, Ungarischer Sturmmarsch [earlier version of S524] (1843?)
- S.233, Ungarischer Geschwindmarsch (1870)
- S.233a, Siegesmarsch. Marche triomphale (Victory March) (?)
- S.233b, Marche hongroise (in E flat minor) (1844)
Works on national themes
Czech
- S.234, Hussitenlied (Melody by J.Krov) (1840)
English
- S.235, God Save the Queen (1841)
French
- S.236, Faribolo Pasteur and Chanson du Béarn [2 pieces] (1844)
- S.237, La marseillaise (1872?)
- S.238, La cloche sonne (1850?)
- S.239, Vive Henri IV (1870–80 ?)
German
- S.240, Gaudeamus igitur. Concert paraphrase [first/second version] (1843, 1853)
Hungarian
- S.241, Hungarian Recruiting Songs (Zum Andenken) (By Fáy & Bihari) (1828)
- S.241a, Ungarische Romanzero (Hungarian Songbook) [18 pieces] (1853)
- S.241b, Magyar tempo (1840)
- S.242, Magyar Dalok: Magyar Rapszódiák [21 pieces] (1839–47)
- S.242a, Rákóczi-Marsch [first version] (1839–1840)
- S.243, Ungarische National-Melodien [3 pieces] (ca. 1843)
- S.243a, Célèbre mélodie hongroise (a. 1866)
- S.244, Hungarian Rhapsodies (Rapsodies hongroises) [19 pieces] (1846–86)
- S.244a, Rákóczi-Marsch [from orchestral version] (1863)
- S.244b, Rákóczi-Marsch [simplified version of S244a] (1871)
- S.244c, Rákóczi-Marsch [popular version] (?)
- S.245, Fünf ungarische Volkslieder (Abranyi) [5 pieces] (1873)
- S.246, Puszta-Wehmut (A Puszta Keserve) (1880–86 ?)
Italian
- S.248, Canzone Napolitana [first/second version] (1842)
Polish
- S.249, Glanes de Woronince [3 pieces] (1847–48)
- S.249a, Mélodie polonaise [short draft] (1871)
- S.249b, Dumka (1871)
- S.249c, Air cosaque (1871)
Russian
- S.250, Deux mélodies russes. Arabesques [2 pieces] (1842)
- S.250a, Le rossignol (Alyabyev) [first version of S250/1] (1842)
- S.251, Abschied. Russisches Volkslied (1885)
Spanish
- S.252, Rondeau fantastique sur un thème espagnol, El Contrabandista (Garcia) (1836)
- S.252a, La romanesca [first/second version] (ca. 1832, b. 1852)
- S.253, Grosse Konzertfantasie über Spanische Weisen (1853)
- S.254, Rhapsodie espagnole (1863?)
- S.254x, Rapsodie espagnole [orchestrated by Feruccio Busoni] (?)
Piano duet
- S.255, Festpolonaise [now S619a] (1876)
- S.256, Variation on the Chopstick Theme (1880)
- S.256a, Nottorno [Not by Liszt?] (?)
Two pianos
- S.257, Grosses Konzertstück über Mendelssohns Lieder ohne Worte (1834)
- S.258, Concerto pathétique (b. 1856)
Organ
- S.259, Fantasy and Fugue on the chorale Ad nos, ad salutarem undam (1850)
- S.260, Präludium und Fuge über das Thema BACH [first/second version] (1855, 1870)
- S.261, Pio IX. Der Papsthymnus (1863?)
- S.261a, Andante religioso (1861?)
- S.262, Ora pro nobis. Litanei (1864)
- S.263, Resignazione (1877)
- S.264, Missa pro organo lectarum celebrationi missarum adjumento inserviens (1879)
- S.265, Gebet (1879)
- S.266, Requiem für die Orgel (1883)
- S.267, Am Grabe Richard Wagners (1883)
- S.268, Zwei Vortragsstücke [2 pieces] (1884)
Songs
- S.269, Angiolin dal biondo crin (Marchese C. Bocella) [first/second version] (1839, ?)
- S.270, Three Petrarch Sonnets [3 songs, first/second version] (1844–45, 1854]
- S.271, Il m'aimait tant (Delphine Gay) (1840?)
- S.272, Am Rhein im schönen Strome (Heine) [first/second version] (1840?, 1854)
- S.273, Die Lorelie (Heine) [first/second version] (1841, ?)
- S.274, Die Zelle in Nonnenwerth [first/second version revised 1862] (b. 1841, 1857)
- S.275, Mignons Lied (Kennst du das Land) (Goethe) [first/second/third version] (1842, 1854, 1860)
- S.276, Comment, disaient-ils (Hugo) [first/second version] (1842, ?)
- S.277, Bist du (Prince E. Metschersky) [first/revised version] (1843, ca. 1878–79)
- S.278, Es war ein König in Thule (Goethe) [first/second version] (1842, ?)
- S.279, Der du von dem Himmel bist (Goethe) [first/second/third version] (1842, ?, 1860)
- S.280, Freudvoll und leidvoll (Goethe) [first/second/third version] (1844, 1848?, ?)
- S.281, Die Vätergruft (1844)
- S.282, O quand je dors (Hugo) [first/second version] (1842, ?)
- S.283, Enfant, si j'etais roi (Hugo) [first/revised version] (1844?, ?)
- S.284, S'il est un charmant gazon (Hugo) [first/revised version] (1844?, ?)
- S.285, La tombe et la rose (Hugo) (1844?)
- S.286, Gastibelza, Bolero (Hugo) (1844?)
- S.287, Du bist wie eine Blume (Heine) (1843?)
- S.288, Was Liebe sei (C. von Hagn) [first/second/third version] (1843?, ca. 1855, 1878–79)
- S.289, Vergiftet sind meine Lieder (Heine) [first/revised version] (1842, ?)
- S.290, Morgens steh ich auf und frage (Heine) [first/revised version] (1843?, ca. 1855)
- S.291, Die todte Nachtigall (Kaufmann) [first/revised version] (1843?, 1878)
- S.292, Songs from Schiller's Wilhelm Tell [3 songs, first/revised version] (1845?, ?)
- S.293, Jeanne d'Arc au bûcher (Dumas) [first/revised version] (1845, 1874)
- S.294, Es rauschen die Winde [first/second version] (ca. 1845, b. 1856)
- S.295, Wo weilt er? (Rellstab) (1844)
- S.296, Ich möchte hingehn (Herwegh) [revised later] (1845)
- S.297, Wer nie sein Brot mit Tränen ass (Goethe) [first/revised version] (ca. 1845)
- S.298, O lieb so lang du lieben kannst (Freiligrath) (1845?)
- S.299, Isten veled (Farewell) (Horvath) [first/revised version] (1846–47)
- S.300, Le juif errant (Béranger) (1847)
- S.301, Kling leise, mein Lied [first/revised version] (1848)
- S.301a, Oh pourquoi donc (Mme Pavloff) (1843)
- S.301b, En ces lieux. Élégie (E. Monnier) (1844)
- S.302, Die Macht der Musik (Duchess Helen of Orleans) (1848–49)
- S.303, Weimars Toten. Dithyrambe (Schober) (b. 1848)
- S.304, Le vieux vagabond (Béranger) (b. 1848)
- S.305, Schwebe, schwebe, blaues Auge [first/revised version] (1845, ?)
- S.306, Über allen Gipfeln ist Ruh [first/revised version] (1847?, ?)
- S.306a, Quand tu chantes bercée (Hugo) (1843)
- S.307, Hohe Liebe (Uhland) (1850?)
- S.308, Gestorben war ich (Seliger tod) (Uhland) (1850?)
- S.309, Ein Fichtenbaum steht einsam (Heine) [first/revised version] (ca. 1845, 1854)
- S.310, Nimm einen Strahl der Sonne (1849)
- S.311, Anfangs wollt' ich fast verzagen (Heine) (1849)
- S.312, Wie singt die Lerche schön (Hoffmann von Fallersleben) (1856?)
- S.313, Weimars Volkslied (Cornelius) (1857)
- S.314, Es muss ein wunderbares sein (Redwitz) (1852)
- S.315, Ich liebe dich (Rückert) (1857)
- S.316, Muttergottes – Sträusslein zum Mai-Monate (Müller) [2 songs] (1857)
- S.317, Lasst mich ruhen (Hoffmann von Fallersleben) (1858?)
- S.318, In Liebeslust (Hoffmann von Fallersleben) (1858?)
- S.319, Ich scheide (Hoffmann von Fallersleben) (1860)
- S.320, Die drei Zigeuner (Lenau) (1860)
- S.321, Die stille Wasserrose (Geibel) (1860?)
- S.322, Wieder möcht ich dir begegnen (Cornelius) (1860)
- S.323, Jugendglück (Pohl) (1860?)
- S.324, Blume und Duft (Hebbel) (1854)
- S.325, Die Fischertochter (Count C. Coronini) (1871)
- S.326, La perla (Princess Therese von Hohenlohe) (1872)
- S.327, J'ai perdu ma force et ma vie. 'Tristesse' (de Musset) (1872)
- S.328, Ihr Glocken von Marling (Emil Kuh) (1874)
- S.329, Und sprich (Biegeleben) [revised 1878] (1874)
- S.330, Sei Still (Henriette von Schorn) (1877)
- S.331, Gebet (Bodenstedt) (1878?)
- S.332, Einst (Bodenstedt) (1878?)
- S.333, An Edlitam (Bodenstedt) (1878?)
- S.334, Der Glückliche (Bodenstedt) (1878?)
- S.335, Go not, happy day (Tennyson) (1879)
- S.336, Verlassen (G.Michell) (1880)
- S.337, Des tages laute stimmen schweigen (F. von Saar) (1880)
- S.338, Und wir dachten der Toten (Freiligrath) (1880?)
- S.339, Ungarns Gott. A magyarok Istene (Petófi) (1881)
- S.340, Ungarisches Königslied. Magyar Király-dal (Ábrányi) (1883)
- S.340a, Ne brani menya, moy drug. (Tolstoy) (1886)
Other choral works
- S.341, Ave Maria IV (1881)
- S.342, Le crucifix (Hugo) (1884)
- S.343, Sancta Caecilia (1884)
- S.344, O Meer im Abendstrahl (Meissner) (1880)
- S.345, Wartburg-Lieder from Der Braut Willkomm auf Wartburg (Scheffel) [7 chorals] (1872)
Recitations
- S.346, Lenore (Bürger) (1858)
- S.347, Vor hundert Jahren (F. Halm) [lost?] (1859) [3]
- S.348, Der traurige Mönch (Lenau) (1860)
- S.349, Des toten Dichters Liebe (Jókai) (1874)
- S.350, Der blinde Sänger (Alexei Tolstoy) (1875)
Notes and references
- ^ Kimmelman, Michael (1987-11-24). "Lost Score By Liszt To Be Sold". The New York Times. http://query.nytimes.com/gst/fullpage.html?res=9B0DE5DD1F39F937A15752C1A961948260. Retrieved 2007-12-22.
- ^ "Juilliard Manuscript Collection". The Juilliard School. http://www.juilliardmanuscriptcollection.org. Retrieved 2007-12-27.
- ^ "The complete music for solo piano, Vol. 41 – The Recitations with pianoforte". Hyperion Records. http://www.hyperion-records.co.uk/al.asp?al=CDA67045&f=67515. Retrieved 2010-05-27.
External links